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Alice & Brad’s Winchester Registry Office Wedding: A Wedding That Was Completely Their Own

2 days ago
6 min read

There’s something I love about weddings that don’t try to follow a formula.


Alice and Brad’s wedding was a perfect example. They kept the legal part of their wedding beautifully intimate with a ceremony at Winchester Registry Office, then headed to Rotherwick Village Hall for an evening that was much more relaxed, personal and completely them.


There was a ceilidh, an Indian street food van, a vintage ruffle cake, a second dress for dancing and even a full-moon portrait to finish the night.


It was a brilliant reminder that there really is no single “right” way to get married.



A relaxed start at Winchester Registry Office

Rather than covering bridal preparations, I started the day by meeting Brad outside Winchester Registry Office, where he arrived in his dad’s beautiful cream Dodge Coronet.


His dad had decorated the car with flowers and ribbons especially for the wedding, which made it such a lovely detail to photograph.


From there, I popped over to the pub to capture a few photographs of Brad getting ready before heading back to meet Alice.


Alice arrived in her dad’s car with her mum, dad and sister, while her two best friends were waiting outside. They were all carrying beautiful bouquets from Moutan Flowers, and Alice looked incredible in her strapless sweetheart-bodice dress, with a soft tulle overlay, huge full skirt and long train. Her voluminous fingertip-length veil completed the look.


She headed inside to meet the registrar, while I took a few photographs of Brad waiting nervously at the top of the aisle.


Bride in white gown and veil holds pink-orange bouquet while groom in dark suit stands behind her in soft indoor light

A beautiful ceremony in the Basing Room

The ceremony took place in the Basing Room at Winchester Registry Office, one of my favourite spaces there to photograph.


Bride and groom kiss beside a fireplace in an ornate room with peacock wallpaper, mirror, and chandelier reflection.

The room has beautiful mahogany-panelled walls, striking green peacock wallpaper and an old stone fireplace, creating a wonderfully atmospheric backdrop. Although it is quite a dark room, there is a gorgeous amount of natural light pouring in, which made for some beautiful, soft photographs of Alice and Brad and their guests.


Alice walked into the room with her dad, accompanied by her bridesmaids, flower girls and sister, and they were married in front of the fireplace with their closest family and friends around them.


It was a small and intimate ceremony, with the rest of their guests waiting to join them later at the village hall. And it turned out the ceremony was over much sooner than they expected, which was actually rather wonderful, because it gave us plenty of time for photographs.


Confetti, direct flash and a lesson I'll be taking forward!

For their confetti photographs, Alice and Brad walked straight out into some very bright sunshine.


Usually, this is the kind of situation where I would be looking for shade or trying to position the couple away from the harshest light. Instead, I decided to embrace it and used direct flash to balance the shadows and create a much more even, flattering exposure. I loved how this one sort of looks like a vintage 35mm image.


Bride in white veil and groom in navy suit smile while walking hand in hand through confetti outside a church after wedding ceremony

The combination of bright sunshine and flash gave the photographs a really crisp, editorial feel, while still keeping all the joy and movement of the confetti.


After seeing how well this worked, I think I may be very reluctant to photograph another couple walking directly into the sun without a flash!


Winchester portraits around the city

After the ceremony, we took the opportunity to explore a little of Winchester for some couple portraits.


The surrounding area gives you so many possibilities, and we also made use of the beautiful nearby barracks, with their manicured grounds, tree-lined walks and lovely fountain.


It was a chance for Alice and Brad to have a little breathing space together after the ceremony, away from the excitement of the rest of the day.


We also took a few photographs with the Dodge Coronet before they headed off to the reception. Having a family car with that much history and character was such a lovely addition to their photographs.


For their immediate family group photographs, we headed to the wall of the Great Hall, right next to Winchester Registry Office. It provided some lovely open shade, which meant everyone could look towards the camera without squinting in the sunshine.


Later, once everyone had arrived at the village hall, we took additional group photographs with their wider group of guests, including one big photograph of everyone together.


A village hall ceilidh and Indian street food

Then came the second half of the wedding, and this is where Alice and Brad really made the day their own.

Their reception was held at Rotherwick Village Hall, which turned out to be a fantastic space for the kind of celebration they had planned. It has high ceilings, large windows and a big open floor, making it absolutely perfect for a ceilidh.


Rather than having a traditional formal wedding breakfast, they brought in Ultimate Indian Street Food, a luxury Indian street food van.


The food, the village hall, the relaxed atmosphere and the ceilidh all felt much more like Alice and Brad than a traditional formal wedding reception ever could have.


A wedding that was completely their own

One of my favourite things about this wedding was the way Alice and Brad didn't feel the need to make their wedding fit a traditional template.


They had a smaller registry office wedding for the legal ceremony, followed by a much bigger celebration with their friends and family. They chose street food instead of a formal wedding breakfast.


They had a ceilidh instead of a traditional evening reception.

And Alice even changed into a less formal dress later in the evening so that she could properly enjoy the dancing.


There was no sense of “this is what we're supposed to do at a wedding.”

Instead, everything felt like them.


And honestly, I think that's something more couples should feel completely free to do.

Your wedding doesn't have to look like anyone else's.


If you love Indian street food, have Indian street food. If you want a ceilidh, have a ceilidh. If you'd rather get married in a registry office and then throw a huge party afterwards, that's absolutely fine. If you want to change into something you can dance in, do it.

The best weddings are often the ones where you can look around the room and recognise the couple in every detail.


A vintage ruffle cake and a night of dancing


There was still plenty of tradition woven into the evening just with Alice and Brad's own twist.

Smiling couple in wedding attire cut a pink-and-white tiered cake in a decorated hall with paper garlands and guests.

Their cake was a gorgeous three-tier vintage ruffle heart cake in cream, covered with red and pink ruffles. It had that modern-vintage look that is so popular at the moment, and it looked fantastic against the rest of the reception styling.

Wedding guests in formal wear dance in a circle on a wooden floor while a live band plays on stage.

It was wheeled in and out on a pink vintage trolley, which was such a cute detail.

I photographed the cake cutting using a mixture of bounce flash and direct flash, before heading back onto the dance floor as the ceilidh continued throughout the evening.

Seated guests at a warm indoor gathering watch attentively, with women in colorful dresses and brick walls in the background.
White vintage Dodge sedan with ribbon bows parked in a field at sunset, with New Jersey plate KKH909D.

There were speeches, plenty of dancing and lots of photographs of the band and the action on the stage.

Guests dance in a bright hall with brick walls and paper lanterns, smiling in colorful dresses and shirts at a lively party.

And then, as the evening started to draw in, we snuck away for a few more portraits.


Pink skies, a full moon and a little off-camera flash

Man in dark suit lifts smiling woman in a white dress on a grassy field at sunset with a pink-orange sky.

We were incredibly lucky with the sunset. The sky turned a gorgeous mixture of pink and purple, giving us a beautiful opportunity for some evening portraits of Alice and Brad. I actually saw the sky while they were dancing, decided not to interrupt, and then as fortune had it, the band decided to have a break so I rushed them out :)



But there was one photograph we particularly wanted to get. Alice and Brad had deliberately chosen to get married on the day of a full moon, so a photograph with the moon was high on the list. Thankfully, there was just enough cloud cover to make it possible without completely obscuring the moon.

Couple posing by a red TELEPHONE booth under a moonlit night sky, smiling softly in a romantic scene.

I set up an off-camera flash on a tripod with a softbox and photographed them leaning against a postbox just outside the town hall. It was one of those slightly unconventional wedding photographs that ends up feeling particularly special because it represents something specific to the couple.



Your wedding doesn't have to follow the rules

Alice and Brad's day is a lovely example of why I don't think weddings should come with a rulebook. I'm a little biased because I too ripped up the rule book for my own wedding!


There was a beautiful dress, but also a second outfit for dancing. There was a cake cutting and speeches, but there was also Indian street food from a van. There was a traditional wedding dance, but it was a ceilidh that had everyone properly involved.

It was a wedding that took the bits they loved and left behind the bits that weren't important to them.


That is exactly what I think a wedding should be, your wedding day is an opportunity to create something that feels yours unmistakably, whether that's an intimate ceremony followed by a village-hall party, a huge country-house celebration, a relaxed festival-style wedding or something completely different.


And if you're planning a wedding at Winchester Registry Office and want your photography to reflect the day as it really feels, from the nervous anticipation before the ceremony to the last dance of the evening, I'd love to hear from you.


Comments


hi! I'm cat and i am a full time wedding photographer
(and a little bit of a photography geek!)
 
I started taking photos as a teenager, my Dad was a wedding photographer and I would often help him. In 2021 I left my corporate job with a dream and hope that I could make photography a full time job. Since then I have been pouring my heart and soul into this business and have been honoured to be chosen as wedding photographer for so many lovely couples as well as being a portrait and event photographer.  
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I TAKE CLASSIC, TIMELESS, DOCUMENTARY STYLE PHOTOGRAPHS WITH MINIMAL INTRUSION

 

But I will step in and offer gentle guidance when it's right to do so, I have learned over the years to read the room, anticipate the next move, hold space when needed and offer support when I can.

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aRE YOU LOOKING FOR A WEDDING PHOTOGRAPHER?
When choosing a wedding photographer, consider their style, experience, portfolio, and reviews from previous clients. It's also important to discuss pricing, availability, and any specific requests you may have.
 
Don't forget to meet with them in person to ensure you have good chemistry and feel comfortable with their approach.
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Once you have narrowed down your list of potential wedding photographers, it's a good idea to ask them some key questions to help you make your final decision.

 

Here are a few questions to consider:

  • What is your photography style? Do you prefer a more traditional approach or a more candid, documentary style?

  • Do you have experience with weddings of a similar size and style to mine?

  • Can I see a full gallery of a recent wedding you photographed? This will give you a better sense of their consistency and quality of work.

  • Do you have backup equipment in case something goes wrong on the day of the wedding?

  • How do you handle difficult lighting situations (e.g. low light, harsh sunlight, indoor vs. outdoor)? This will help you gauge their technical expertise.

  • What is included in your packages? Are there any additional fees I should be aware of (e.g. travel, overtime)?

  • How long will it take to receive my photos after the wedding? Will they be edited and retouched?

  • Can you accommodate any special requests I have (e.g. specific shots, family portraits)?

  • How do you ensure that you capture all of the important moments on the day of the wedding?

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By asking these questions and having an open and honest conversation with your wedding photographer, you can ensure that you find the right fit for your big day.

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